The 2024 EDFC is April 2 – 7 and the deadline to register is April 1 Registration is officially open for the 2024 Easterseals Disability Film Challenge! Over the course of five days, participating filmmakers create a short film in this year’s selected genre of “Buddy Comedy” that uniquely showcases disability while changing public perception about the […]
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Thanks to the Golden Globe Foundation’s prior grant to IndieCollect, our archive and restoration teams have worked wonders before and after the winter break. We are so proud to announce three new restoration premieres in February — BITTER CANE in New York City on Feb 24 & 26, and Glen Pitre’s two Cajun-language films in […]
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The New Orleans Film Society Presents:$8.50 A BARREL / HUIT PIASTRES ET DEMIE!by Glen PitreSaturday, February 24, 2024IN PERSON: Glen Pitre YELLOW FEVER / LA FIEVRE JAUNEby Glen PitreSunday, February 25, 2024IN PERSON: Glen Pitre French Film FestivalPrytania Theatre5339 Prytania St, New Orleans, LA 70115 Both films were restored with support of the Golden Globe […]
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IndieCollect is touting the upcoming run of ‘Brighton beach’, by Carol Stein & Susan Wittenberg, at Anthology Film Archives, February 9 to 15, 2024. Funded by the HFPA Trust in 2022, this IndieCollect restoration premiered in August 2023 at BAM Cinemas. It is now part of our “Women Directors: IN PLAIN SIGHT!” film tour, an […]
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Golden Globe Foundation grantee NewFilmmakers Los Angeles along with Starz and the National Association of Latino Independent Producers has revealed participants for the second season of the Starz #TakeTheLead Writers’ Intensive, kicking off February 5. This year’s selection is comprised of writers from varied and often overlooked communities, aiming to embody the representation Starz champions […]
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The Museum of Modern Art hosts “To Save and Project,” a prestigious annual showcase of newly restored films. Curator Josh Siegel is presenting ANTONIA: A Portrait of the Woman (1974, 58 min), directed by Judy Collins & Jill Godmilow, in a new 4K restoration created by the Academy Film Archive and The Film Foundation, with funding from […]
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